March 2017

Film Program Spring 2017 Schedule

The Best of Youth (Part 1)
Wednesday, March 22
The Best of Youth covers the years from 1966 to 2003. It is a beautiful and moving film telling the story of an Italian family, the Caratis: father, mother, two brothers and two sisters.

The Best of Youth (Part 2)
Wednesday, April 26
The conclusion of the story of the Carati family. A film you will never forget.

Wednesday, May 24
A Czech film about an elderly cellist and the young Russian boy he adopts, Kolya is charming, funny, and touching, filled with beautiful music and cinematography.

Commit two nights to this exceptional film,
and remember it for a lifetime.
Kenneth Turan

In March and April, Golden Gate Village will be showing a single film. It’s a long film, so we’ll see the first part in March and the conclusion in April. The film is called The Best of Youth and is one of the best films I’ve ever seen. It follows the lives of the Carati family—father, mother, two brothers and two sisters—from 1966 to 2003. The Best of Youth is in Italian with English subtitles. The acting is miraculous, even in the smallest parts. The cinematography is gorgeous and the period music perfectly chosen. Every woman who sees the film falls madly in love with the brothers. Every man will be equally smitten with the beauty and intelligence of the actresses. The different strands of the stories of the characters appear and reappear throughout the film, intertwining and, like life itself, full of surprises.

The film celebrates life and the family. The Carati family is so vibrant, shown with such verisimilitude, that you feel as though you have been adopted and become a member of the family, just as the men and women who marry into the family become part of it.

Even though it is a long film, it never feels slow. It moves very quickly and when it is over, you will find yourself wishing that it hadn’t ended. One friend of mine who saw the film said, “If Italians are really like that, I want to move to Italy.”

Kenneth Turan, the film reviewer for the Los Angeles Times, said it better than I can, so I’ll close by quoting a few sentences from his 2005 incisive review:

Those who see it will, quite frankly, not believe their luck. It is that satisfying, that engrossing, that good.
This is a kind of filmmaking we’ve almost forgotten exists: serious, adult storytelling on a grand scale that deals with intensely dramatic events unrolling like a carpet whose rich patterns are a source of continual delight.
Commit two nights to this exceptional film, and remember it for a lifetime.

© 2017 Holden Aust

December 2016

What makes a great film?

Everyone has their own preferences about what they like in a movie. Some people like gun fights, car chases and explosions, the more the better. Some people like battles between titanic monsters and superheros. Some people like movies that make them laugh. Some people like movies that make them cry. Some people like movies that scare them.
I enjoy those kinds of movies, but the sorts of movies that I enjoy the most have these things in common:

  • They are more than just pure entertainment, they make you think.
  • The stories, the acting, the beautiful cinematography, and the music are exceptional.
  • They take you back in history or forward into utopian or distopian futures.
  • They can be as realistic as documentaries or take you into incredible fantasies.
  • They reveal cultures and social groups of which we knew little or nothing.
  • They show us the beliefs of others and explain why they have those beliefs.
  • They are as full as life is of unexpected surprises.
  • They help us to understand our own lives by showing us the lives of other people.
  • You want to watch them more than once and the more times you watch them, the more you learn from them and the more you appreciate them.

The German film director, Wim Wenders, made a documentary homage to the great Japanese director, Yasujiro Ozu, called Tokyo Ga. Wenders says that Ozu discovered the true purpose of cinema, which is that film lets us enter the life of another person for an hour and a half or two hours. For that period of time we are taken out of our lives and we experience another person’s life. Wenders says that Ozu discovered this secret and that it was lost when Ozu died. I agree with Wender’s insight into Ozu’s gift, although I don’t think it was entirely lost when Ozu died. I think there are many directors who have made films that let us enter the lives and cultures of people who are very different from our own.
Many of the films that I show you will probably have not seen before. Many of them have never been shown on American television. Some of them may not have been shown in the United States. But, no matter what year they were made nor where they were made, each in its own way is a great film.

Perfect Films

Hud posterThere are certain films that I call “perfect films.” By that I mean, a film which I cannot imagine any way to improve, it is so good that it is perfect. The next three films I’ll show are perfect films.
Wednesday, December 28, 2016
Hud is one example of a perfect film. From the gorgeous opening shot and the spare evocative music, you know that you are watching a great film. The acting, the dialog, the cinematography and editing, every aspect of the film is so perfectly done, it’s hard to imagine any way it could have been improved. Hud is certainly one of Paul Newman’s best performances and may well be his best. Hud won three Academy awards and was nominated in four other categories as well.
Wednesday, January 25, 2017
Persepolis is a magical film that begins with a spirited young girl growing up in the first years of the Iranian Revolution. Fearing for her safety, her parents send her to school in Europe where she comes of age in a very different culture and then returns to Iran.
Wednesday, February 22, 2017
Nebraska is a loving homage to family life in the small towns on the Great Plains. By helping his father follow his dream, a son comes to learn things about his father that he never knew and his father comes close to his son. It’s a very funny and touching film.
© Holden Aust